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Thursday
Nov032011

Oz Fritz, Dustone Angel

Dustone Angel, by Oz Fritz

Have been quite busy of late, unable to post here, but plan to get into more of a regular schedule.

Two days ago I saw a photograph of an Angel. Well, I don't know exactly what it "is" I saw, however for purposes of communication "Angel" appears the best descriptor, or perhaps, "Healing Angel." I'll explain.

I'm part of an informal collective of improvisational musicians, producers and engineers called Dustone Cinema. Their website launches any day now. I was working at their studio located in a house atop a hill near Sebastopol, CA day before yesterday helping Richard Fisher set-up some 5.1 Surround Sound mixes. Later in the afternoon Richard introduced me to a woman who lived there,

"Oz, this is Kelly, she's Mickey's daughter."

At first I thought he meant Mickey Hart from the Grateful Dead. Earlier we'd been discussing Bob Weir's new recording/performance facility in San Rafael. Richard worked for Mickey Hart for about 3 years. But then he said,

"Rooney, Mickey Rooney."

Regular readers of of the Oz Mix will easily recall the startling synchronicity I had regarding Mickey Rooney in the last post here, Bond 23. I told Kelly Rooney that story. She smiled, then a few minutes later recounted an amazing occurrence she had experienced just the night before.

She said that she had come home that night in a great deal of pain. She had a very graphic analogy for the pain that I don't remember verbatim, something like the feeling of a sharp knife going through your throat then down the back of your spine. She went to bed but couldn't rest so got up to get some air on the front deck which has a beautiful panoramic view of the land below. The pattern of lights down below caught her attention so Kelly decided to take a photo with her cell phone. Looking at the photo, she saw what looked like a kind of whitish smudge off to one side that wasn't visible to her eyes except in the photo.

Thinking that she may have accidentally had her thumb over the lens partially, she took some more photos being careful that nothing was blocking the lens. The subsequent photos show a white, viscous light pattern morphing into different shapes like a lava lamp might. It looks more substantial than smoke (nothing was burning), less substantial than a biological body. I saw about 4 photos like this. None of the apparition's shapes resembled anything humanoid, to me, yet it definitely appeared to have cohesiveness. It also looked very close, like it was right in front of the camera in contrast to the lights from the bottom of the hill.

Well, sure, maybe it could have been some weird defect in the camera and/or lens. I guess taking more photos from that camera would either confirm or rule that out. However, Kelly's experience, what she sensed and felt in the presence of this entity makes me suspect that a mechanical anamoly doesn't adequately explain this phenomenon. She said that she felt something touch her and when it did, all of her pain immediately vanished. She said it was like all the pain just lifted right off of her and didn't return.

From the way Kelly appeared when telling this story it seemed clear to me that she had a genuine contact experience. The owner of the Dustone studio, Paul Bareilles, was there and encouraged Kelly to write the account down. Perhaps more details will come to light. I don't know what she plans to do with the photos. I asked her permission to write this up. She said, please do and offered the explanation that one reason this might have happened was to let others know about it.

Also interesting to me is that this occurred in a location dedicated to the production of music intended to transform and heal.

http://oz-mix.blogspot.com/

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